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・ Diane Lemieux
・ Diane Levin
・ Diane Lewis
・ Diane Lewis (Guernsey legislator)
・ Diane Lewis (journalist)
・ Diane Lillo-Martin
・ Diane Linkletter
・ Diane Litman
・ Diane Lockward
・ Diane Loeffler
・ Diane Macedo
・ Diane Maclean
・ Diane Madden
・ Diane Madl
・ Diane Maliukaetau
Diane Mantzaris
・ Diane Marie Amann
・ Diane Marie Rodríguez Zambrano
・ Diane Marleau
・ Diane Martel
・ Diane Martinez
・ Diane Massam
・ Diane McBain
・ Diane McFarlin
・ Diane McGifford
・ Diane McGuinness
・ Diane McKinney-Whetstone
・ Diane McNaron
・ Diane McWhorter
・ Diane Meier


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Diane Mantzaris : ウィキペディア英語版
Diane Mantzaris

Diane Mantzaris (born 1962) is an Australian artist known for her pioneering application of digital imaging to printmaking and for her unconventional approach to image making, which is often both personal and political in content. Mantzaris pioneered the use of computers as a printmaking and art-making tool in the early to mid-1980s, exhibiting widely, nationally and throughout Asia in touring exhibitions, to considerable acclaim.〔Professor Sasha Grishin, ''NKEW'', 19 February 2001, p.16.〕〔'Encounters of the Ethnic Kind’, The Examiner, 6 June 1990.〕〔John Neylon, ''Art & Text'', 1988, p.67〕 Her practice now crosses into several fields associated with the visual arts, printmaking, drawing, photography, sculpture, performance and public art. She is represented in most state and public collections throughout Australia and significant private collections throughout Asia and Europe.
==Early life and education==

Mantzaris was born in Melbourne, Australia. She grew up in a working class suburb in outer Melbourne. In the late 1970s she studied fine art (Painting) at RMIT University.

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